DIRECTOR: Greg Whiteley 
                        PRODUCERS: Ed Cunningham / Seth Gordon  
                        
                        CAST
                        Arthur 'Killer' Kane, Morrissey, Bob Geldof, Chrissie Hynd
                      SYNOPSIS
                        A recovering alcoholic and recently converted Mormon, we first meet   mild-mannered Arthur Kane in Los Angeles waiting for the LA he takes daily to   his job at the Family History Center library. No one would connect the shy   55-year-old in the suit and tie to Arthur 'Killer' Kane, statuesque bass   guitarist for the legendary ˜70s rock band, The New York Dolls.
                      Arthur joined the New York Dolls in 1971 and helped form, in rocker   Morrissey's words, one of the most raucous, notorious bands in musical   history. Decked out in platform heels, skin-tight pants, smeared lipstick and   hair a mile high, the Dolls gender-bending stage antics belied a ferocious   sound that presaged punk and influenced a generation of musicians. However, drug   abuse and bickering within the band led to a split in 1975, with Arthur hitting   rock-bottom.
                      After leaving New York City for Los Angeles, Arthur lived in virtual   obscurity for almost 30 years. He battled alcoholism, embarked on a troubled   marriage and tried repeatedly to resurrect his musical career. He also spent   much of his time obsessing about his short-lived fame with the Dolls and longing   for a return to the spotlight.
                      In 1989, Arthur converted to Mormonism and became the congregation's humble   resident rocker. He played inspirational harmonica messages for his new friends   at the temple, discovered his estranged father's passing through genealogical   records and continued to yearn for a Dolls reunion as he rode the bus to and   from his job at the Family History Center.
                      In the early spring of 2004, Morrissey, himself a former lead singer of the   famous and influential 80's rock band The Smiths as well as President of the New   York Dolls fan club and curator of the 2004 Meltdown Festival in London, asked   the Dolls to reunite for two shows. Arthur was ecstatic.
                      His friends at church gave him money to get his guitars out of a local pawn   shop so he could begin practicing. Rehearsals in New York lead to a reunion with   the estranged lead singer David Johansen and guitarist Sylvain Sylvain. Arthur   finally let go of long-held grudges and got ready to rock. No one knew how the   Dolls would perform in London after such a long hiatus and his bandmates were   especially concerned about how Arthur would perform after so many years away   from the stage. But Arthur had no doubts.
                      Arthur arrived at his five-star London hotel excited to play for what he   considered “not an audience, but just a bunch of friends†and on June 16, 2004   the New York Dolls played to a raucous crowd at Royal Festival Hall. Critics   hailed: 'The New York Dolls played a sensational comeback show! They've never   played better! The kings of New York!' It was a triumph.
                      Returning to Los Angeles meant getting back on the bus and back to the Family   History Center for Arthur. All of his friends were happy to see him, but   concerned that his day-to-day life might pale in comparison to the   adulation-filled trip he'd just returned from. What happened next was beyond   anyone's comprehension.